The Bean House, by John Koethe

. . . humming in the summer haze.

Diane christened it the Bean House,
Since everything in it came straight from an
L.L. Bean Home catalog. It looks out upon two
Meadows separated by a stand of trees, and at night,
When the heat begins to dissipate and the stars
Become visible in the uncontaminated sky,
I like to sit here on the deck, listening to the music
Wafting from the inside through the sliding patio doors,
Listening to the music in my head. It’s what I do:
The days go by, the days remain the same, dwindling
Down to a precious few as I try to write my name
In the book of passing days, the book of water. Some
Days I go fishing, usually unsuccessfully, casting
Gently across a small stream that flows along beneath
Some overhanging trees or through a field of cows.
Call it late bucolic: this morning I awoke to rain
And a late spring chill, with water dripping from the
Eaves, the apple trees, the pergola down the hill.
No fishing today, as I await the summation
Of my interrupted eclogue, waiting on the rain
And rhythms of the world for the music to resume,
As indeed it does: all things end eventually,
No matter how permanent they seem, no matter how
Desperately you want them to remain. And now the sun
Comes out once more, and life becomes sweet again,
Sweet and familiar, on the verge of summer.

Epistemology of the Phone Booth, by Gregory Pardlo

I found the scrap of City Paper
classified, the 1-900 number and photos
like candidates there, in love’s voting machine.

Discomfort station. No pissoir. Hothouse maybe for
a fourteenth-year sprig: me. Light box
to slideshow the introvert
cloaked in a prepaid identity

discreet as a shirttail in the fly.
Ma Bell’s shelter
was brutal & snug. I’d heard the ram’s horn hum.
A hymn. Just like prayer I thought. No answer.
Clack’d the splendid tongue
and bloom!
Salutations rose like pollen, prepped me for
the inverse of police
sketch artists, the one who would evoke so I could render,
in my mind, the enigma of the wanted; one to source
the vacuum wrenching stutters like rivets

off my tongue.
Plink. Into the sewer of the mouthpiece.
Then the universal ballad of the waiting room.
Casiotone.
Hold (me) music.

No orgone
closet. More like that other-lonely doom—the body
encapsulated, its inventory ever unknown. Dantean vestibule.
Anti-chat room.
When the genderless voice beyond
began to lavish I grew ears all over,
inner ears
swiveling from one tepid libretto to the next
tuning for some satin frequency the culture
promised until, I repent (forgive me father), the card went bust.