The best part
is when we’re tired
of it all
in the same degree,
a fatigue we imagine
to be temporary,
and we lie near each other,
What’s done is done,
we don’t say,
to begin our transaction,
each letting go of something
bringing it to mind
until we’re lighter,
and a current
runs between us
where our toes touch.
It feels unconditional.
Remember this, we don’t say:
The Little Mermaid
was able to absorb
to form legs.
This meant that
and that everything is played out
Sometimes I stand in the middle of the floor,
Not going left, not going right.
I like to get drunk and I like to write.
I search for ways in and can’t find them,
But that doesn’t mean they’re not there. What isn’t
There is the life between the words, the life that existed
Beyond the words, the life I don’t have anymore.
In Michigan the feelings soaked the page,
Yet now they seem diminished in the telling
And no longer in our time, no longer of our place,
But in another country, one of an imagination
Anchored in a style; no longer in the stream
Or swamp, where the fishing was tragic.
I (whichever I this is) saw Follies last year.
The Weismann Girls come back to stand for what they were
And aren’t anymore, in a theatre slated for demolition.
Sally is a prisoner of her rage and her imagination,
Pining for the magic of what might have been
Until the spell breaks, leaving her alone on the stage
Amid the shards of her illusions. As she looks around
For what she is, all she can find is her age:
“I’m forty-nine. That’s all I am.”
Why do I get so angry? Why do I assume
The characters I love, the characters I love and hate?
There’s a corruption from which I’ve never recovered
That diminishes me each day, until I can’t tell which I am
Anymore, the mask or the face. The boat in Havana:
Last time was the last time. The stirring begins each night
And continues through the day here in a home that isn’t home,
With Michigan far away, the finca far away, alone
In the vestibule in the early morning light, imagining
The feeling of cool steel against my forehead
And the sound of two drawers slamming.
I’m sixty-two. That’s all I am.