It flows through old hushed Egypt and its sands, Like some grave mighty thought threading a dream, And times and things, as in that vision, seem Keeping along it their eternal stands,— Caves, pillars, pyramids, the shepherd bands That roamed through the young world, the glory extreme Of high Sesostris, and that southern beam, The laughing queen that caught the world's great hands. Then comes a mightier silence, stern and strong, As of a world left empty of its throng, And the void weighs on us; and then we wake, And hear the fruitful stream lapsing along Twixt villages, and think how we shall take Our own calm journey on for human sake.
Among twenty snowy mountains
The only moving thing
Was the eye of the blackbird
I was of three minds,
Like a tree
In which there are three blackbirds.
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
A man and a woman
A man and a woman and a blackbird
I do not know which to prefer
The beauty of inflections
Or the beauty of innuendoes.
The blackbird whistling
Or just after.
Icicles filled the long window
With barbaric glass
The shadow of the blackbird
Crossed it, to and fro.
Traced in the shadow
An indecipherable cause.
O thin men of Haddam,
Why to do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
of the women about you?
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
The river is moving.
The blackbird must be flying.
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
for matthew z and matthew r
I remember telling the joke
about child molestation and seeing
the face of the young man
I didn’t know well enough
turn from something with light
inside of it into something like
an animal that’s had its brain
bashed in, something like that, some
sky inside him breaking
all over the table and the beers.
It’s amazing, finding out
my thoughtlessness has no bounds,
is no match for any barbarian,
that it runs wild and hard
like the Mississippi. No, the Rio Grande.
No, the Columbia. A great river
of thorns and when this stranger
stood up and muttered
something about a cigarette,
the Hazmat team
in my chest begins to cordon
off my heart, glowing
a toxic yellow,
and all I could think about
was the punch line “sexy kids,”
that was it, “sexy kids,” and all the children
I’ve cared for, wiping
their noses, rocking them to sleep,
all the nieces and nephews I love,
and how no one ever
opened me up like a can of soup
in the second grade, the man
now standing on the sidewalk, smoke smothering
his body, a ghost unable
to hold his wrists down
or make a sound like a large knee in between
two small knees, but terrifying and horrible all the same.
Woman, I wish I didn’t know your name.
What could you be? Silence in my house
& the front yard where the dogwood
wouldn’t make up its mind about flowers.
Aren’t you Nature? A stem cringing, half-
shadowed beneath a torque of rain.
I too am leaving. I too am half-spun.
The other day near the river
I bent down & Narcissus
turned his immaculate mouth
away, refusing to caress
my howls. Silence in the trees
all around the shotgun house & that scent
of cedar whenever I dream.
I turn the light around on the ground,
sweeping the red mud, holding
the light like a rattler. Like a hood of
poison, fitted over my face. Cobra
woman, slicked with copperhead flutes.
I too am fleeing. My face born
in a caul of music. Bravado.
The men come into the yard
& pull all my clothes off,
walk me into the house,
into my own kitchen.
Tell me not to say
say I’m wrong.
Line to be sewn into a skirt hem
held in my mouth ever since the unraveling
Line beneath a bridge
for years without hope I stretched my arms into the river searching for you
Line to be sent to the cornfield
history is a hallway of leaves.
Line written for electric wires
your voice inside the no history, sitting still
Line for future people
inside the work, only my empty teeth
Line from Maharaj
Presently you are in quietude. Is it on this side of sleep or on the other side?
Line that cannot be read because of its darkness
impossible walk under weight of honey
away from your hands that break me in half
Line addressing President Lincoln
when the handle and blade are gone, what remains
of your axe?
Line to be run over by a lawn mower
afraid of everything and to be of no use.
Line for a distant midnight dog-pack
because I can never speak it
Line to be sewn into a shirt collar
the streak of your finger across the hood of the car
Line for a stone growing old
a sunburst that lands inside a flower
Line written only with your mouth
desire is a trick ghost
Line for the garden weeds
slowly I am nearer to you
Line describing the better qualities of monsters
are we afraid of what we wished for?
Three lines written for bears
inside cells, water, trees, I am meaningless
darkness and light wind like breath on fur
I carry the circling cities inside me
Line for a leaf blown into the hair of the Master
seeing you, I want no other life
Line for a mouse
to die like that, held in your hands